Thursday, December 16, 2010

Album Review: Our God Is Near

 For those who are not familiar with Brenton Brown or his work, here's a little background: born in South Africa, Brown served as worship pastor at Oxford Vineyard while studying in the UK, writing several songs which were used on Vineyard UK projects. His first solo album, 2006's Everlasting God, was borne of a spiritual breakthrough Brown experienced after being diagnosed with ME or chronic fatigue syndrome. Its title track received an ASCAP award two years later, the first time any Christian song had been recognized at the major music awards ceremony. He followed that with 2008's sophomore effort, Because Of Your Love.

Now, his third album, Our God Is Near, is about to be released (the exact date has not been confirmed at press time). Having heard it, I must say that not one track on it disappoints. The album starts with a sprightly, uplifting Our God Is Mercy, a soaring anthem of unrestrained guitars, steady drums and honest vocals. Arise and Sing is a delightful song of praise, with an irresistible riff you'll find yourself tapping your foot to. 

Higher (Empires Fall) kicks the mood — and volume — of the album up a notch, with its upbeat rhythm and Brown's heartfelt voice, making it a top candidate for worship bands in churches all over Singapore to use in their services.

The album closes with an intimate acoustic number called All For You, which expresses the singer's devotion to God. But perhaps, the song which best showcases the simple ingenuity of the album is Joyful, Brown's simple yet ingenious take on Friedrich Schiller's Ode To Joy:

 

I could go on about how Brown manages to blend a classic ode with modern worship ever so seamlessly but I should think the above video speaks for itself.

Overall, besides the aforementioned standout tracks, the album is an honest, earnest effort in modern praise and worship: from quiet, acoustic tracks to energetic songs that would make the listener want to get up and dance, Our God Is Near is definitely worth a listen — or 10. 

So, watch out for this album and grab it when you see it.

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